pie

thumbcramps:

I’ve had enough.

I have a friend named Kaitlan: she’s beautiful and kind and is a great cosplayer, and she’s been getting these slipped under her apartment door for months.

I asked her if I could make this post because I’ve been seeing this happening and I just want something to be done. Whether it’s people supporting her or someone telling her how to get this to stop. How to get these people to get the punishment they deserve.

She has literally done anything that she knows to do. She even went to the police:

They told her to come back if it got more serious. What does that even MEAN? Apparently, someone has to actually kill themselves for this to be serious to the police. 

Apparently, this behavior is acceptable at Indiana University of PA. Apparently, this behavior is acceptable to the Indiana County Police. Apparently, bullying like this is completely acceptable until someone ends up dead.

I’m just absolutely infuriated right now. This should not go unpunished. Absolutely fucking not.

“I’m extremely profane, unconsciously so, when I see something great for the first time; I don’t know why, but beauty and profanity are related to me in the same way. It may be that I want to think of art in the vernacular, but I have no control over what comes out of my mouth when my eyes take in great beauty…it might just be the reason I avoid going to museums with elderly ladies.”  ― Vincent Price

bleerios:

not only is the ceo of abercrombie & fitch a jackass but he treated marty mcfly’s family like shit in all the back to the futures and that is inexcusable

Scenes: BRAIN DAMAGE | Keyframe - Explore the world of film. →

Eighties schlock horror is a puzzling genus to decode; any merits of radical plotting or production design are often undermined by an unabashed inclusion of the arbitrary gore and nudity needed to meet the demands of its unhinged audience. What seems to separate the camp, cult classics of yesteryear from the straight-to-DVD burnouts of today is the genuine care and love of the filmmakers involved. The intricate, charmingly makeshift practical effects and set design of the cult, exploitation feature have been replaced by a reliance on crude green screen sets and clunky CGI.  I won’t try and convince you that director Frank Henenlotter(also the man behind Frankenhooker, 1990, and the Basket Case series, 1982-92) is making meaningful art, but if the unrefined subject matter and acting don’t turn you away, you may find these exploitation films are actually fairly fascinating explorations of genre filmmaking.

-Zachary Stein

I just saw Cinderella at the SF Opera house. Sure I was volunteering there and I had to stand up for like 3 hours it was worth it

a mini book of pictures of Paris I made a while ago using the back of a calendar

(Source: hilcagonzzz)